Saving Face

Performance & Installation
2012-2017
56th Venice Biennale 2015 / at China Pavillion - BCAC Beijing 2016 - TASIE Beijing - Amsterdam - Istanbul - Stockholm - Berlin-Dessau / Connecting Cities - Zwolle - Utrecht
AWARD: Best Practice Award 2013 Virtueel Platfom / Het Nieuwe Instituut. CONCEPT: with Mathijs ten Berge, European IET ICT Presence Lab SUPPORTED: Media Fonds, SICA NLTR 400, Mondriaan Fund, Festival aan de Werf Utrecht, MediaFonds@Sandberg, Dutch Consulate Beijing, Dutch Embassy Berlin SPONSORING: Holland Screen, DidiTAXI Beijing, Apple. PRODUCTION: Mart van Bree TECHNICAL REALISATION: Sylvain Vriens, Tim Olden Jason Saragih's opensource Facetracker library / Kyle McDonald.

A small, intimate ritual to reflect on big socio-technological changes.

Tele-presence technologies extend our bodies beyond biological boundaries in time and space, but prevent us from touching..

Can I touch you online?
In the smart digital public domain, we are increasingly faced with the paradox of ‘the higher surveillance, the lower trust'. Saving Face is a response on increasingly trusting each other based on bio-metric control technologies, such as surveillance- and quantified-self technologies, connected to algorithms and social media. How do we experience our bodies and connections being measured and turned into fixated, controllable ‘profiles’? Bio-metric technologies interfere with our connections based on face-to-face connection and touch, emerging as social constructs. Can touch, vital to our well being, play again a role in bio-metric connections?
In Saving Face, bio-metric control technologies are explored to create a poetic 'meeting-through-touching' ritual. Participants are invited to caress their own faces, to connect with others worldwide; to endlessly meet, caress, mirror and merge.

Smart City Meeting Ritual: 1. Come close 2. Caress your face 3. Merge and Mirror
The technical interface includes an interactive city sculpture with camera, algorithm, face-recognition technologies and generative database, connected to a large urban screen.
The socio-technological ritual invites participants of the public in front of the camera to caress their faces. Through caressing, they ‘paint’ their portraits on the screen. The portraits appear as virtual persona's, slowly merging with the portraits of previous visitors and further merging through every face-caressing act of following participants co-creating untraceable, fluid, networked identities. Each virtual persona is saved into the user generated database, to be printed for a Saving Face Passport.

Touching my face as a social interface
Saving Face is designed to disrupt perception of ‘who sees and who is being seen, who touches and who is being touched’ among public participants, in a mixed reality, multi-sensory interface. Participants are asked to caress themselves and feel being touched to connect with others. Their unfamiliar, intimate gestures of caressing are publicly staged. Traces of their gestures are real-time exposed on the urban screen, as unpredictable portraits. The participant's hybrid encounters, in which physical experience and digital data converge, are supported by a host.

In dynamic, smart public spaces, the co-created virtual personas are exposed as 'the face' of a museum hall or city square.
When traveling to various geographical and cultural contexts, Saving Face playfully connects - both online and offline - different personal historical and cultural backgrounds. Participants in cities worldwide ‘Tele-Touch’ each other to meet.

The portrait on screen is part of a social process. Within the tradition of the composed and 'morfing' portrait, the artists orchestrate 'a social process to create a portrait'. This process connects the physical ‘realness’ we feel when touching our faces - to the interaction with a virtual persona in the public domain. In a posthuman process, for a social construct to emerge, this persona appears in the process of merging with others, as what can be called an 'alternative selfie'.

Art, Science & Technology Saving Face emerged from our artistic research that we further conducted at Delft University of Technology in the context of Lancel’s PhD trajectory (Promotores: Prof. dr. Frances Brazier, Dr. Caroline Nevejan). To inspire and rethink sustainable socio-technical ecological systems, the artists deconstruct and connect automated control technologies (such as surveillance, social media, self-quantifying biometric technologies and brain computer interfaces) to human acts of intimacy, tacit knowledge, sensory and aesthetic perception - to explore a digital-synesthetic 'trust-system'.

[ I am part of the networks and the networks are part of me
... I link, therefore I am.' William J. Mitchell ]

SHOWS
Exhibitions /Performances / Conference Lectures 2014-2017
Performances take place in time slots. Exhibitions show
reflexive data environment (generative database and documentation).

2015, 56th Venice Art Biennale: China Pavillion
- Curators: Beijing Contemporary Art Foundation BCAF;
Connecting Cities Network Berlin

2015 - 2016 Museum BCAC Beijing
- Curators: Beijing Contemporary Art Foundation BCAF;
Connecting Cities Network Berlin

2012 TASIE 3rd Art and Science Exhibition and Symposium Beijing
- Curator: Zhang Ga, Tsinghua University, China
- Art, Science & Technology Museum Beijing
2013 Connecting Cities / Public art lab Berlin
- Curator: Susa Pop
- Shows: Bauhaus Dessau connected to Ars Electronica
2012 Festival aan de Werf Utrecht, Netherlands
- Curator: Rainer Hofmann
2013 TASML artists in residency / TsingHua University Beijing
- Curator: Zhang Ga
2015 Holland Festival / De Balie Amsterdam, 'Stadsleven'
- Curator: Tracy Metz
2013 Zwolle Gemeente Museum - Curator: Adriaan de Regt
2015 'Play Perform Participate' University Utrecht.
- Curators: Chiel Kattenbelt, Nanna Verhoeff (Urban Interfaces Group)
2011 ISEA Istanbul & Istanbul Art Biennale - Curator: Lanfranco Aceti
2011 Urban Screens Seminar 'Screening the City'
- Curator: Intsitute for Network Cultures
2011 Iaspis Stockholm - Curator: Laura Mott
2012 TEDX Silkroad Istanbul - Curator: Ferhan Cook
2012 European EIC ICT labs: 'Mediated presence group'
- Initiated by Prof D. F. Brazier, Dr. N. Nevejan, Dr. C. Gullström
- Universities for Technology Delft, Eindhoven, Stockholm (KTH)

2014 Beamlab, De Zwijger Amsterdam 2015 Symposium 'Dutch Touch': Tangible User Interaction and Computer Science
- by Gijs Huisman and Prof Jan van Erp / University Twente
2012 Conference & Masterclass 'Wireless Stories'
- by Sandberg Institute & Media Fonds

PRESS & PUBLICATIONS:
1) Connecting Cities Network Exhibition Catalogue. 'What Urban Media can do'. Publisher: Avedition. 2016. Edited by Susa Pop, Tanya Toft, Nerea Calvillo, Mark Wright. The catalogue about EU funded project 'Connecting Cities Network' includes 50 media art projects in city spaces worldwide and theoretical articles of among others Claire Bishop, Maurice Benayoun, Eric Kluitenberg, Mark Shepard, Peter Weibel.
2) New Media Research Essay: 'Urban Social Spaces,Tactical Media in the Hybrid City', page 16, author: Katia Truijen, Mediamatic Amsterdam
3) ARTSPY 2015 Beijing
4) World Radio China Interview: 'Save Your Faces with Mine',
at BCAC Beijing Culture and Art Center by Zheng Yunfeng, Vincent. 2016.
In depth interview about Saving Face audience experience, artist's intension, hosting, (technical) concepts and future plans.

5) NECSUS, European Journal of Media Studies Spring 2014_'Traces',
by Nanna Verhoeff & Heidi Rae Cooley 'The navigational gesture:
Traces and tracings at the mobile touchscreen interface'

6) Arte Creative TV, Saving Face at Connecting Cities 2013
7) Holland Festival /'Stadsleven' 2015 by Tracy Metz, Lecture Lancel/Maat
8) Holland Festival / Stadsleven 2015 by Tracy Metz: Online Catalogue
9) China ZHUANGSHI journal for Art and Design / Tsinghua University Beijing. 2012. TASIE Art, Science and Technology exhibition-conference 2012
10) Art blog 'Creators Project': 'Ik scande mijn gezicht door het te strelen' by Eva Oosterveld
11) DOTS Magazine for iPads #3, by Shevia Limmen
‘Touching the Face as social Interface’.
12) Art Catalogue TASIE 2013 3rd Art & Science International Exhibition, Symposium Beijing, China.
13) Publication Art Research Group ‘Image in context’
Minerva Art Academy / Hanze University for Applied Sciences Groningen.
Authors Lancel/Maat: ‘The artists as a host’

14) Newspaper article: NRC Handelsblad 2011. By Tracy Metz.
‘Een gezicht samengesteld uit honderden gezichten‘

15) cnarts.net, by ARTRON.net 'Living Art Network "action - face"'
16) Nanna Verhoeff, Clancy Wilmott, 'Curating the city: Urban interfaces and Locative media as experimental platforms for cultural data', 116-129 in Rob Ktiching and Sung-Yueh Perng (eds.) Code and the City. London: Routledge, 2016